| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Aria detta "La Frescobalda" (con variazioni) | Julian Bream | | |
| 2 | 2 | Sonata in D major | Julian Bream | | |
| 3 | 3 | Sonata in C minor K11 | Domenico Scarlatti | | |
| 4 | 4 | Sonata in B minor K87 | Domenico Scarlatti | | |
| 5 | 5 | Sonata in C-sharp minor | Domenico Cimarosa | | |
| 6 | 6 | Sonata in A major | Domenico Cimarosa | | |
| 7 | 7 | Sonatina op 21/1, I Allegretto | Sir Lennox Berkeley | | |
| 8 | 8 | Sonatina op 21/1, II Lento | Sir Lennox Berkeley | | |
| 9 | 9 | Sonatina op 21/1, III Rondo | Sir Lennox Berkeley | | |
| 10 | 10 | En los trigales | Julian Bream | | |
| 11 | 11 | Pavane pour une infante défunte | Julian Bream | | |
| 12 | 12 | Ségovia op. 29 | Julian Bream | | |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Guitar Concerto in A major op. 30, I Allegro maestoso | Mauro Giuliani | | |
| 2 | 2 | Guitar Concerto in A major op. 30, II Andantino siciliano | Mauro Giuliani | | |
| 3 | 3 | Guitar Concerto in A major op. 30, III Alla polacca | Mauro Giuliani | | |
| 4 | 4 | Guitar Concerto op. 67, I Allegro | Malcolm Arnold | | |
| 5 | 5 | Guitar Concerto op. 67, II Lento | Malcolm Arnold | | |
| 6 | 6 | Guitar Concerto op. 67, III Conbrio | Malcolm Arnold | | |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Two Almaines | Robert Johnson | | 143.9422 |
| 2 | 2 | Fantasia | John Johnson | | 89.3525 |
| 3 | 3 | Walsingham | Francis Cutting | | |
| 4 | 4 | Mignarda | Julian Bream | | 90.2816 |
| 5 | 5 | Almaine | Francis Cutting | | 162.3543 |
| 6 | 6 | Galliard | Philip Rosseter | | 164.8289 |
| 7 | 7 | Greensleeves | Francis Cutting | | 107.0556 |
| 8 | 8 | Galliard upon a Galliard of Daniel Daniel Johann Sebastian Bacheler | Julian Bream | | 113.7088 |
| 9 | 9 | Pavan | Thomas Morley | | |
| 10 | 10 | Carman's Whistle | Robert Johnson | | 152.0344 |
| 11 | 11 | Pavan | Baruch Bulman | | 154.6686 |
| 12 | 12 | Monsieur's Almaine | Daniel Bacheler | | 129.7405 |
| 13 | 13 | Pavan | Anthony Holborne | | 143.766 |
| 14 | 14 | Batell Galliard | Julian Bream | | 114.1746 |
| 15 | 15 | Galliard | Anthony Holborne | | |
| Media 4: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Monsieur's Almaine | William Byrd | | |
| 2 | 2 | Pavin | William Byrd | | |
| 3 | 3 | My Lord of Oxenford's Maske | William Byrd | | |
| 4 | 4 | The Flatt Pavin | John Johnson | | |
| 5 | 5 | The Daniel Johann Sebastian Bacheler's Delight | Richard Allison | | |
| 6 | 6 | Kemp's Jig | [anonymous] | | |
| 7 | 7 | Peter Phillips Pavin | Peter Philips | | |
| 8 | 8 | O Mistress Mine | Thomas Morley | | |
| 9 | 9 | Fantasie: La Rondinella | Thomas Morley | | |
| 10 | 10 | Joyne Hands | Thomas Morley | | |
| 11 | 11 | Lachrimae Pavin | John Dowland | | |
| 12 | 12 | Fantasia | John Dowland | | |
| 13 | 13 | De la Tromba Pavin | Richard Allison | | |
| 14 | 14 | It Fell on a Summer's Day | Thomas Campion | | |
| 15 | 15 | John Dowland's Adew | John Dowland | | |
| 16 | 16 | The Frog Galliard | John Dowland | | |
| 17 | 17 | Le Rossignol | [anonymous] | | |
| 18 | 18 | Tarleton's Resurrection | John Dowland | | |
| 19 | 19 | Can She Excuse My Wrongs | John Dowland | | |
| Media 5: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Chores No. 1 | Julian Bream | | |
| 2 | 2 | Etude No. 11 in E minor | Julian Bream | | |
| 3 | 3 | Madronos | Julian Bream | | |
| 4 | 4 | Homenaje a Tárrega op. 69, Garrotin | Julian Bream | | 107.613 |
| 5 | 5 | Homenaje a Tárrega op. 69, Soleares | Julian Bream | | 104.1014 |
| 6 | 6 | Prelude No. 4 in E minor | Julian Bream | | 101.2828 |
| 7 | 7 | Suite espanola No. 1 op. 47, I Granada (Serenata) | Julian Bream | | 138.6065 |
| 8 | 8 | Suite espanola No. 1 op. 47, V Asturias (Leyenda) | Julian Bream | | 126.4132 |
| 9 | 9 | Homenaje (Tombeau de Claude Debussy) | Julian Bream | | 144.3383 |
| 10 | 10 | El Testament d'Amelia | Julian Bream | | 93.9445 |
| 11 | 11 | Fandanguillo op. 36 | Julian Bream | | 136.2586 |
| Media 6: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concierto de Aranjuez, I Allegro con spirito | Joaquín Rodrigo | | |
| 2 | 2 | Concierto de Aranjuez, II Adagio | Joaquín Rodrigo | | |
| 3 | 3 | Concierto de Aranjuez, III Allegro gentile | Joaquín Rodrigo | | |
| 4 | 4 | The Courtly Dances from Glariana, No. 1: March | Benjamin Britten | | |
| 5 | 5 | The Courtly Dances from Glariana, No. 2: Corante | Benjamin Britten | | |
| 6 | 6 | The Courtly Dances from Glariana, No. 3: Pavane | Benjamin Britten | | |
| 7 | 7 | The Courtly Dances from Glariana, No. 4: Morris Dance | Benjamin Britten | | |
| 8 | 8 | The Courtly Dances from Glariana, No. 5: Galliard | Benjamin Britten | | |
| 9 | 9 | The Courtly Dances from Glariana, No. 6: La Volta | Benjamin Britten | | |
| 10 | 10 | The Courtly Dances from Glariana, No. 7: March (Finale) | Benjamin Britten | | |
| 11 | 11 | Concerto for Lute and Strings in D major RV 93, I Allegro | Antonio Vivaldi | | |
| 12 | 12 | Concerto for Lute and Strings in D major RV 93, II Largo | Antonio Vivaldi | | |
| 13 | 13 | Concerto for Lute and Strings in D major RV 93, III Allegro | Antonio Vivaldi | | |
| Media 7: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Songs from the Chinese op. 58, The Big Chariot | Benjamin Britten | | |
| 2 | 2 | Songs from the Chinese op. 58, The Old Lute | Benjamin Britten | | |
| 3 | 3 | Songs from the Chinese op. 58, The Autumn Wind | Benjamin Britten | | |
| 4 | 4 | Songs from the Chinese op. 58, The Herd-Boy | Benjamin Britten | | |
| 5 | 5 | Songs from the Chinese op. 58, Depression | Benjamin Britten | | |
| 6 | 6 | Songs from the Chinese op. 58, Dance Song | Benjamin Britten | | |
| 7 | 7 | Folk Song Arrangements, Master Kilby | Benjamin Britten | | |
| 8 | 8 | Folk Song Arrangements, The Shooting of His Dear | Benjamin Britten | | |
| 9 | 9 | Folk Song Arrangements, Sailor-Boy | Benjamin Britten | | |
| 10 | 10 | Folk Song Arrangements, I Will Give My Love an Apple | Benjamin Britten | | |
| 11 | 11 | Folk Song Arrangements, The Soldier and the Sailor | Benjamin Britten | | |
| 12 | 12 | The Second Lute Song of the Earl of Essex from Gloriana | Benjamin Britten | | |
| 13 | 13 | Anon in Love, Fain would I change that note | Sir William Walton | | |
| 14 | 14 | Anon in Love, O stary, sweet love | Sir William Walton | | |
| 15 | 15 | Anon in Love, Lady, when I behold the roses | Sir William Walton | | |
| 16 | 16 | Anon in Love, My Love in her attire | Sir William Walton | | |
| 17 | 17 | Anon in Love, I gave her Cakes and I gave her Ale | Sir William Walton | | |
| 18 | 18 | Anon in Love, To couple is a custom | Sir William Walton | | |
| 19 | 19 | Four French Folk Songs, Réveillez-vous | Mátyás Seiber | | |
| 20 | 20 | Four French Folk Songs, J'ai descendu | Mátyás Seiber | | |
| 21 | 21 | Four French Folk Songs, Le Rossignol | Mátyás Seiber | | |
| 22 | 22 | Four French Folk Songs, Marguerite, elle est malade | Mátyás Seiber | | |
| 23 | 23 | O Mistress Mine | Peter Racine Fricker | | |
| Media 8: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Introduction | Julian Bream | | |
| 2 | 2 | Captain Digorie Piper's Galliard | Julian Bream | | |
| 3 | 3 | Queen Elizabeth's Galliard | Julian Bream | | |
| 4 | 4 | Sir John Langton's Pavan | Julian Bream | | |
| 5 | 5 | Tarleton's Resurrection | Julian Bream | | |
| 6 | 6 | Lady Clifton's Spirit | Julian Bream | | |
| 7 | 7 | Introduction | Julian Bream | | |
| 8 | 8 | Pavan Bray | Julian Bream | | |
| 9 | 9 | Galliard | Julian Bream | | |
| 10 | 10 | Pavan | Julian Bream | | |
| 11 | 11 | My Lord Wolloughby's Welcome Home | Julian Bream | | |
| 12 | 12 | Wilt Thou Unkind, This Leave Me? | John Dowland | | |
| 13 | 13 | Sorrow, Stay | John Dowland | | |
| 14 | 14 | The Lowest Trees Have Tops | John Dowland | | |
| 15 | 15 | Time's Eldest Son, Old Age | John Dowland | | |
| 16 | 16 | In Darkness Let Me Dwell | John Dowland | | |
| 17 | 17 | Say, Love, If Ever Thou Did'st Find | John Dowland | | |
| Media 9: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Pavanas | Julian Bream | | |
| 2 | 2 | Canarios | Julian Bream | | |
| 3 | 3 | Prelude in C minor BWV 999 | Julian Bream | | |
| 4 | 4 | Fugue in G minor BWV 1000 | Julian Bream | | |
| 5 | 5 | Fantaisie op. 7 | Fernando Sor | | |
| 6 | 6 | Minuet (from Sonata op. 25) | Fernando Sor | | |
| 7 | 7 | Passacaille | Julian Bream | | |
| 8 | 8 | Fantasie | Julian Bream | | |
| 9 | 9 | Suite in D minor, I Prélude | Julian Bream | | |
| 10 | 10 | Suite in D minor, II Allenande | Julian Bream | | |
| 11 | 11 | Suite in D minor, III Courante | Julian Bream | | |
| 12 | 12 | Suite in D minor, IV Sarabande | Julian Bream | | |
| 13 | 13 | Suite in D minor, V Gavotte | Julian Bream | | |
| 14 | 14 | Suite in D minor, VI Menuets I & II | Julian Bream | | |
| 15 | 15 | Suite in D minor, VII Bourrée | Julian Bream | | |
| 16 | 16 | Suite in D minor, VIII Gigue | Julian Bream | | |
| 17 | 17 | Tombeau sur la mort de M. Comte de Logy | Julian Bream | | |
| Media 10: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Lute Suite No. 1 in E minor BWV 996, I Praeludio. Passagio - Presto | Julian Bream | | |
| 2 | 2 | Lute Suite No. 1 in E minor BWV 996, II Allemande | Julian Bream | | |
| 3 | 3 | Lute Suite No. 1 in E minor BWV 996, III Courante | Julian Bream | | |
| 4 | 4 | Lute Suite No. 1 in E minor BWV 996, IV Sarabande | Julian Bream | | |
| 5 | 5 | Lute Suite No. 1 in E minor BWV 996, V Bourrée | Julian Bream | | |
| 6 | 6 | Lute Suite No. 1 in E minor BWV 996, VI Gigue | Julian Bream | | |
| 7 | 7 | Lute Suite No. 2 in C minor BWV 997, I Preludio | Julian Bream | | |
| 8 | 8 | Lute Suite No. 2 in C minor BWV 997, II Fuga | Julian Bream | | |
| 9 | 9 | Lute Suite No. 2 in C minor BWV 997, III Sarabande | Julian Bream | | |
| 10 | 10 | Lute Suite No. 2 in C minor BWV 997, IV Gigue, V Double | Julian Bream | | |
| Media 11: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Pavan | Moritz von Hessen-Kassel | | |
| 2 | 2 | Saltarello | Simone Molinaro | | |
| 3 | 3 | Ballo detto Il Conte Orlando | Simone Molinaro | | |
| 4 | 4 | Saltarello | Simone Molinaro | | |
| 5 | 5 | Fantasia | Simone Molinaro | | |
| 6 | 6 | Chromatic Pavan and Galliard, Pavan | Peter Philips | | |
| 7 | 7 | Chromatic Pavan and Galliard, Galliard | Peter Philips | | |
| 8 | 8 | Fantasia "A Fancy" | John Dowland | | |
| 9 | 9 | Queen Elizabeth's Galliard | John Dowland | | |
| 10 | 10 | Fantasia | Julian Bream | | |
| 11 | 11 | Fantasia | Alonso Mudarra | | |
| 12 | 12 | Fantasia | Wojciech Długoraj | | |
| 13 | 13 | Finale | Wojciech Długoraj | | |
| 14 | 14 | Villanella No. 1 | Wojciech Długoraj | | |
| 15 | 15 | Villanella No. 2 | Wojciech Długoraj | | |
| 16 | 16 | Finale 2 | Wojciech Długoraj | | |
| 17 | 17 | Pavan | Alfonso Ferrabosco II | | |
| 18 | 18 | Mein Herz hat sich mit Lieb' verplichtet | Hans Neusidler | | |
| 19 | 19 | Hie' folget ein welscher Tanz | Hans Neusidler | | |
| 20 | 20 | Ich klag' den Tag | Hans Neusidler | | |
| 21 | 21 | Der Juden Tanz | Julian Bream | | |
| 22 | 22 | Fantasia | Bálint Bakfark | | |
| 23 | 23 | Air de Cour | Jean-Baptiste Besard | | |
| 24 | 24 | Branle | Julian Bream | | |
| 25 | 25 | Guillemette | Jean-Baptiste Besard | | |
| 26 | 26 | Volte | Jean-Baptiste Besard | | |
| Media 12: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | El Polifemo de Oro, I Ben adagio | Julian Bream | | |
| 2 | 2 | El Polifemo de Oro, II Allegretto | Julian Bream | | |
| 3 | 3 | El Polifemo de Oro, III Largo | Julian Bream | | |
| 4 | 4 | El Polifemo de Oro, IV Ritmico e vivo | Julian Bream | | |
| 5 | 5 | Nocturnal after John Dowland op. 70 | Julian Bream | | |
| 6 | 6 | Quatre pièces brèves, I Prélude | Julian Bream | | |
| 7 | 7 | Quatre pièces brèves, II Air | Julian Bream | | |
| 8 | 8 | Quatre pièces brèves, III Plainte | Julian Bream | | |
| 9 | 9 | Quatre pièces brèves, IV Comme une gigue | Frank Martin | | |
| 10 | 10 | 3 Tentos from Kammermusik 1958, I Du schönes Bächlein | Julian Bream | | |
| 11 | 11 | 3 Tentos from Kammermusik 1958, II Es findet das Aug' oft | Julian Bream | | |
| 12 | 12 | 3 Tentos from Kammermusik 1958, III Sohn Laios' | Julian Bream | | |
| 13 | 13 | 12 Etudes for Guitar, No. 5 in C major | Julian Bream | | |
| 14 | 14 | 12 Etudes for Guitar, No. 7 in E major | Julian Bream | | |
| Media 13: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Earl of Essex Galliard | Julian Bream | | |
| 2 | 2 | Lachrimae antiquae | John Dowland | | |
| 3 | 3 | My Lady Hunsdon's Puffe | Julian Bream | | |
| 4 | 4 | Lord De L'Isle's Galliard | Julian Bream | | |
| 5 | 5 | The Frog Galliard | Julian Bream | | |
| 6 | 6 | Lachrimae verae | Julian Bream | | |
| 7 | 7 | The Shoemaker's Wife | Julian Bream | | |
| 8 | 8 | Lady Rich, Her Galliard | Julian Bream | | |
| 9 | 9 | Unnamed piece (Almaine) | Julian Bream | | |
| 10 | 10 | Sir John Smith's Almaine | Julian Bream | | |
| 11 | 11 | Melancholy Galliard | Julian Bream | | |
| 12 | 12 | Sir Henry Gifford's Almaine | Julian Bream | | |
| 13 | 13 | Dowland's First Galliard | Julian Bream | | |
| 14 | 14 | Mrs Vaux's Gigge | Julian Bream | | |
| 15 | 15 | The Earl of Derby, His Galliard | Julian Bream | | |
| 16 | 16 | Semper Dowland, semper dolems | Julian Bream | | |
| Media 14: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Guitar Quintet in E minor G 451, I Allegro moderato | Luigi Boccherini | | |
| 2 | 2 | Guitar Quintet in E minor G 451, II Adagio | Luigi Boccherini | | |
| 3 | 3 | Guitar Quintet in E minor G 451, III Menuetto | Luigi Boccherini | | |
| 4 | 4 | Guitar Quintet in E minor G 451, IV Allegretto | Luigi Boccherini | | |
| 5 | 5 | Introduction & Fandango | Luigi Boccherini | | |
| 6 | 6 | Guitar Quartet in D major Hob. III:8, I Allegro | Joseph Haydn | | |
| 7 | 7 | Guitar Quartet in D major Hob. III:8, II Adagio | Joseph Haydn | | |
| 8 | 8 | Guitar Quartet in D major Hob. III:8, III Menuetto - Trio | Joseph Haydn | | |
| 9 | 9 | Guitar Quartet in D major Hob. III:8, IV Finale. Presto | Joseph Haydn | | |
| Media 15: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Grand Overture op. 61 | Julian Bream | 7:30 | |
| 2 | 2 | Sonata in C major op. 15, Allegro | Mauro Giuliani | 5:56 | |
| 3 | 3 | Grand Solo op. 14, Introduction. Andante | Julian Bream | 2:05 | |
| 4 | 4 | Grand Solo op. 14, Allegro | Julian Bream | 6:42 | |
| 5 | 5 | Sonata in A major, I Allegro moderato | Julian Bream | 4:14 | |
| 6 | 6 | Sonata in A major, II Andante sostenuto | Julian Bream | 4:33 | |
| 7 | 7 | Sonata in A major, III Menuet - Scherzo | Julian Bream | 3:37 | |
| 8 | 8 | Sonata in A major, IV Rondo (Allegretto) | Julian Bream | 5:37 | |
| 9 | 9 | Larghetto & Allegro K Anh. 229, Larghetto | Julian Bream | 4:43 | |
| 10 | 10 | Larghetto & Allegro K Anh. 229, Allegretto | Julian Bream | 2:16 | |
| Media 16: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Organ Sonata No. 1 in E-flat major BWV 525, I (Allegro moderato) | Johann Sebastian Bach | | |
| 2 | 2 | Organ Sonata No. 1 in E-flat major BWV 525, II Adagio | Johann Sebastian Bach | | |
| 3 | 3 | Organ Sonata No. 1 in E-flat major BWV 525, III Allegro | Johann Sebastian Bach | | |
| 4 | 4 | Trio Sonata in C major RV 82, I Allegro non molto | Antonio Vivaldi | | |
| 5 | 5 | Trio Sonata in C major RV 82, II Larghetto | Antonio Vivaldi | | |
| 6 | 6 | Trio Sonata in C major RV 82, III Allegro | Antonio Vivaldi | | |
| 7 | 7 | Organ Sonata No. 5 in C major BWV 529, I Allegro | Johann Sebastian Bach | | |
| 8 | 8 | Organ Sonata No. 5 in C major BWV 529, II Largo | Johann Sebastian Bach | | |
| 9 | 9 | Organ Sonata No. 5 in C major BWV 529, III Allegro | Johann Sebastian Bach | | |
| 10 | 10 | Trio Sonata in G minor RV 85, I Andante molto | Antonio Vivaldi | | |
| 11 | 11 | Trio Sonata in G minor RV 85, II Larghetto | Antonio Vivaldi | | |
| 12 | 12 | Trio Sonata in G minor RV 85, III Allegro | Antonio Vivaldi | | |
| Media 17: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Absence | Thomas Morley | | |
| 2 | 2 | What Then Is Love but Mourning | Philip Rosseter | | |
| 3 | 3 | I Saw My Lady Weep | John Dowland | | |
| 4 | 4 | If She Forsake Me | Philip Rosseter | | |
| 5 | 5 | Dear, If You Change | John Dowland | | |
| 6 | 6 | Come, Phyllis | Thomas Ford | | |
| 7 | 7 | Stay, Time | John Dowland | | |
| 8 | 8 | It Was a Lover and His Lass | Thomas Morley | | |
| 9 | 9 | Weep You No More | John Dowland | | |
| 10 | 10 | When Laura Smiles | Philip Rosseter | | |
| 11 | 11 | Fair, Sweet, Cruel | Thomas Ford | | |
| 12 | 12 | Shall I Sue? | John Dowland | | |
| 13 | 13 | Sweet, Stay Awhile | John Dowland | | |
| 14 | 14 | Who Is It? | Thomas Morley | | |
| 15 | 15 | Can She Excuse My Wrongs | John Dowland | | |
| 16 | 16 | Come, Heavy Sleep | John Dowland | | |
| Media 18: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Grand Sonata for Guitar and Violin in A major op. 39, I Allegro | Niccolò Paganini | | |
| 2 | 2 | Grand Sonata for Guitar and Violin in A major op. 39, II Romanze. Amorosamente. Più tosto largo | Niccolò Paganini | | |
| 3 | 3 | Grand Sonata for Guitar and Violin in A major op. 39, III Andantino variato. Scherzando - Variations I-VI | Niccolò Paganini | | |
| 4 | 4 | Song Without Words in G minor op 19b/6 "Venetian Boat Song" | Julian Bream | | |
| 5 | 5 | String Quartet No. 1 op. 12, Canzonetta. Allegretto | Julian Bream | | |
| 6 | 6 | Piano Sonata No. 18 D 894, Menuetto. Allegro moderato - Trio | Franz Schubert | | |
| 7 | 7 | Lágrima. Preludio | Francisco Tárrega | | |
| 8 | 8 | 3 Mazurkas, Adelita! Mazurka in G minor | Francisco Tárrega | | |
| 9 | 9 | 3 Mazurkas, Mazurka in G major | Francisco Tárrega | | |
| 10 | 10 | 3 Mazurkas, Marieta! Mazurka in A minor | Francisco Tárrega | | |
| Media 19: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Guitar and Orchestra, I Allegro preciso | Heitor Villa-Lobos | | |
| 2 | 2 | Concerto for Guitar and Orchestra, II Andantino e Andante - Cadenza | Heitor Villa-Lobos | | |
| 3 | 3 | Concerto for Guitar and Orchestra, III Allegretto non troppo | Heitor Villa-Lobos | | |
| 4 | 4 | Etude No. 8 in C-sharp minor | Heitor Villa-Lobos | | |
| 5 | 5 | 5 Preludes, No. 1 in E minor. Andantino espressivo | Julian Bream | | |
| 6 | 6 | 5 Preludes, No. 5 in D major. Andantino | Julian Bream | | |
| 7 | 7 | 5 Preludes, No. 3 in A minor. Andante - Molto adagio - Andante | Julian Bream | | |
| 8 | 8 | 5 Preludes, No. 4 in E minor. Lento - Animato - Moderato - Lento | Julian Bream | | |
| 9 | 9 | 5 Preludes, No. 2 in E major. Andantino | Julian Bream | | |
| 10 | 10 | Suite populaire brésilienne, II Schottisch-Choro | Julian Bream | | |
| Media 20: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Suite for 2 Guitars, I Corant I | William Lawes | | |
| 2 | 2 | Suite for 2 Guitars, II Alman | William Lawes | | |
| 3 | 3 | Suite for 2 Guitars, III Corant II | William Lawes | | |
| 4 | 4 | Petit Duo No. 2 in G major op. 34/2, I Largo | Ferdinando Carulli | | |
| 5 | 5 | Petit Duo No. 2 in G major op. 34/2, II Rondo. Allegretto poco | Ferdinando Carulli | | |
| 6 | 6 | L'Encouragement op. 34 Fantaisie pour 2 guitarres, I Cantabile | Fernando Sor | | |
| 7 | 7 | L'Encouragement op. 34 Fantaisie pour 2 guitarres, II Andantino - Variations I-III | Fernando Sor | | |
| 8 | 8 | L'Encouragement op. 34 Fantaisie pour 2 guitarres, III Valse | Fernando Sor | | |
| 9 | 9 | Córdoba op. 232/4 (Cantos de Espana) | Isaac Albéniz | | |
| 10 | 10 | Intermezzo (Goyescas) | Enrique Granados | | |
| 11 | 11 | Danza espanola No. 1 (La vida breve) | Manuel de Falla | | |
| 12 | 12 | Pavane pour une infante défunte | Maurice Ravel | | |
| Media 21: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Woods So Wild | William Byrd | | |
| 2 | 2 | Fantasia I in C minor | Francesco Canova da Milano | | |
| 3 | 3 | Packington's Pound | [anonymous] | | |
| 4 | 4 | Fantasia II in F major | Francesco Canova da Milano | | |
| 5 | 5 | Walsingham | John Dowland | | |
| 6 | 6 | Fantasia III in G minor | Francesco Canova da Milano | | |
| 7 | 7 | The Fairy Round | Anthony Holborne | | |
| 8 | 8 | Heigh Ho Holiday | Anthony Holborne | | |
| 9 | 9 | Fantasia IV "La Compagna" | Francesco Canova da Milano | | |
| 10 | 10 | Go From My Window | Julian Bream | | |
| 11 | 11 | Fantasia V in C major | Francesco Canova da Milano | | |
| 12 | 12 | Greensleeves | [anonymous] | | |
| 13 | 13 | Fantasia VI in F major | Francesco Canova da Milano | | |
| 14 | 14 | Bonnie Sweet Robin | John Dowland | | |
| 15 | 15 | Fantasia VII in F major | Francesco Canova da Milano | | |
| 16 | 16 | Heart's Ease | Anthony Holborne | | |
| 17 | 17 | Fantasia VIII in G major | Francesco Canova da Milano | | |
| 18 | 18 | Loth to Depart | John Dowland | | |
| Media 22: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Guitar and Chamber Ensemble, I Lento e rubato - Vivo | Sir Richard Rodney Bennett | | |
| 2 | 2 | Concerto for Guitar and Chamber Ensemble, II Andante lento | Sir Richard Rodney Bennett | | |
| 3 | 3 | Concerto for Guitar and Chamber Ensemble, III Con brio | Sir Richard Rodney Bennett | | |
| 4 | 4 | Elegy | Julian Bream | | |
| 5 | 5 | 5 Bagatelles for Guitar, No. 1: Allegro | Julian Bream | | |
| 6 | 6 | 5 Bagatelles for Guitar, No. 2: Lento - Tempo di valse | Julian Bream | | |
| 7 | 7 | 5 Bagatelles for Guitar, No. 3: Alla cubana | Julian Bream | | |
| 8 | 8 | 5 Bagatelles for Guitar, No. 4: Sempre espressivo | Julian Bream | | |
| 9 | 9 | 5 Bagatelles for Guitar, No. 5: Con slancio | Julian Bream | | |
| 10 | 10 | Theme and Variations op. 77 | Julian Bream | | |
| Media 23: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Serenade for 2 Guitars in A major op. 96, I Largo maestoso - Allegro moderato | Ferdinando Carulli | | |
| 2 | 2 | Serenade for 2 Guitars in A major op. 96, II Larghetto | Ferdinando Carulli | | |
| 3 | 3 | Serenade for 2 Guitars in A major op. 96, III Finale | Ferdinando Carulli | | |
| 4 | 4 | Rondalla aragonesa (Danzas espanolas) | Enrique Granados | | |
| 5 | 5 | Bajo la palmera op. 232/3 (Cantos de Espana) | Isaac Albéniz | | |
| 6 | 6 | Zambra (12 Danzas espanolas) | Enrique Granados | | |
| 7 | 7 | Variazioni concertanti per 2 chitarre op. 130 | Mauro Giuliani | | |
| 8 | 8 | Evocación (Iberia) | Isaac Albéniz | | |
| Media 24: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Rossiniana No. 3 op. 121 | Mauro Giuliani | | |
| 2 | 2 | Rossiniana No. 1 op. 119 | Mauro Giuliani | | |
| 3 | 3 | Guitar Sonata in C major op. 25 (Grande Sonate II), I Andante largo | Fernando Sor | | |
| 4 | 4 | Guitar Sonata in C major op. 25 (Grande Sonate II), Andantino grazioso - Variations I-V | Fernando Sor | | |
| 5 | 5 | Guitar Sonata in C major op. 25 (Grande Sonate II), III Menuetto. Allegro - Trio | Fernando Sor | | |
| Media 25: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Lute and Strings in D major RV 93, I Allegro | Antonio Vivaldi | | |
| 2 | 2 | Concerto for Lute and Strings in D major RV 93, II Largo | Antonio Vivaldi | | |
| 3 | 3 | Concerto for Lute and Strings in D major RV 93, III Allegro | Antonio Vivaldi | | |
| 4 | 4 | Concerto for Lute and Strings in F major, I Allegro | Karl Kohaut | | |
| 5 | 5 | Concerto for Lute and Strings in F major, II Adagio | Karl Kohaut | | |
| 6 | 6 | Concerto for Lute and Strings in F major, III Tempo di Minuetto | Karl Kohaut | | |
| 7 | 7 | Organ Concerto in B-flat major HWV 294 (op. 4/6), I Allegro | George Frideric Handel | | |
| 8 | 8 | Organ Concerto in B-flat major HWV 294 (op. 4/6), II Larghetto | George Frideric Handel | | |
| 9 | 9 | Organ Concerto in B-flat major HWV 294 (op. 4/6), III Allegro moderato | George Frideric Handel | | |
| 10 | 10 | Concerto for 2 Mandolins and Orchestra in G major RV 532, I Allegro | Antonio Vivaldi | | |
| 11 | 11 | Concerto for 2 Mandolins and Orchestra in G major RV 532, II Andante | Antonio Vivaldi | | |
| 12 | 12 | Concerto for 2 Mandolins and Orchestra in G major RV 532, III Allegro | Antonio Vivaldi | | |
| Media 26: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concierto de Aranjuez, I Allegro con spirito | Joaquín Rodrigo | | |
| 2 | 2 | Concierto de Aranjuez, II Adagio | Joaquín Rodrigo | | |
| 3 | 3 | Concierto de Aranjuez, III Allegro gentile | Joaquín Rodrigo | | |
| 4 | 4 | Guitar Concerto op. 88, I Andantino - Allegretto | Sir Lennox Berkeley | | |
| 5 | 5 | Guitar Concerto op. 88, II Lento | Sir Lennox Berkeley | | |
| 6 | 6 | Guitar Concerto op. 88, III Allegro con brio | Sir Lennox Berkeley | | |
| Media 27: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Captain Digorie Piper's Galliard | Julian Bream | | |
| 2 | 2 | A Fancy | Julian Bream | | |
| 3 | 3 | My Lord Chamberlain, His Galliard | Julian Bream | | |
| 4 | 4 | Resolution | Julian Bream | | |
| 5 | 5 | Mr Langton's Galliard | Julian Bream | | |
| 6 | 6 | Forlorn Hope Fancy | Julian Bream | | |
| 7 | 7 | Sir John Souche's Galliard | Julian Bream | | |
| 8 | 8 | Captain Piper's Pavan | Julian Bream | | |
| 9 | 9 | My Lord Wolloughby's Welcome Home | Julian Bream | | |
| 10 | 10 | Galliard to Lachrimae | Julian Bream | | |
| 11 | 11 | A Fancy | Julian Bream | | |
| 12 | 12 | Farewell | Julian Bream | | |
| Media 28: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | No. 1 in E minor, Allegro non troppo - Lento | Heitor Villa-Lobos | | |
| 2 | 2 | No. 2 in A major, Allegro | Heitor Villa-Lobos | | |
| 3 | 3 | No. 3 in D major, Allegro moderato | Heitor Villa-Lobos | | |
| 4 | 4 | No. 4 in G major, Un peu modéré - Grandioso | Heitor Villa-Lobos | | |
| 5 | 5 | No. 5 in C major, Andantino | Heitor Villa-Lobos | | |
| 6 | 6 | No. 6 in E minor, Poco Allegro | Heitor Villa-Lobos | | |
| 7 | 7 | No. 7 in E major, Très animé - Più mosso - Vif | Heitor Villa-Lobos | | |
| 8 | 8 | No. 8 in C-sharp minor, Modéré | Heitor Villa-Lobos | | |
| 9 | 9 | No. 9 in F-sharp minor, Très peu animé | Heitor Villa-Lobos | | |
| 10 | 10 | No. 10 in B minor, Très animé - Un peu animé - Vif | Heitor Villa-Lobos | | |
| 11 | 11 | No. 11 in E minor, Lent - Più mosso - Animé | Heitor Villa-Lobos | | |
| 12 | 12 | No. 12 in A minor, Animé - Più mosso - Tempo I - Un peu plus animé | Heitor Villa-Lobos | | |
| 13 | 13 | Suite populaire brésilienne, I Mazurka-Choro | Heitor Villa-Lobos | | |
| 14 | 14 | Suite populaire brésilienne, II Schottisch-Choro | Heitor Villa-Lobos | | |
| 15 | 15 | Suite populaire brésilienne, III Valse-Choro | Heitor Villa-Lobos | | |
| 16 | 16 | Suite populaire brésilienne, IV Gavotte-Choro | Heitor Villa-Lobos | | |
| Media 29: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Pavan | John Johnson | | |
| 2 | 2 | Galliard | John Johnson | | |
| 3 | 3 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: I. Ouverture | Julian Bream | | |
| 4 | 4 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: II. Harlequinade | Julian Bream | | |
| 5 | 5 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: III. Le Ris | Julian Bream | | |
| 6 | 6 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: IV. Rigidon | Julian Bream | | |
| 7 | 7 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: V. Combattans | Julian Bream | | |
| 8 | 8 | Partie polonaise, Suite for 2 Lutes in B-flat major TWV 39: 1: VI. Gigue | Julian Bream | | |
| 9 | 9 | Fantasia for 2 Guitars op. 54bis | Julian Bream | | |
| 10 | 10 | String Sextet no. 1 op 18: II. Andante ma moderato (Theme - Variations I-VI) | Julian Bream | | |
| 11 | 11 | Dolly Suite op. 56: I. Berceuse | Julian Bream | | |
| 12 | 12 | Dolly Suite op. 56: II. Mi-a-ou | Julian Bream | | |
| 13 | 13 | Dolly Suite op. 56: III. Le Jardin de Dolly | Julian Bream | | |
| 14 | 14 | Dolly Suite op. 56: IV. Kitty-Valse | Julian Bream | | |
| 15 | 15 | Dolly Suite op. 56: V. Tendresse | Julian Bream | | |
| 16 | 16 | Dolly Suite op. 56: VI. Le Pas espagnol | Julian Bream | | |
| 17 | 17 | Rêveries | Julian Bream | | |
| 18 | 18 | Golliwogg's Cakewalk (Children's Corner) | Julian Bream | | |
| 19 | 19 | Clair de lune (Suite bergamasque) | Julian Bream | | |
| 20 | 20 | Castilla (Seguidillas) op. 47/7 (Suite espanola no. 1) | Julian Bream | | |
| 21 | 21 | Oriental (12 danzas españolas) | Julian Bream | | |
| Media 30: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | El Maestro, Pavana I | Julian Bream | | |
| 2 | 2 | El Maestro, Pavana V | Julian Bream | | |
| 3 | 3 | El Maestro, Pavana VI | Julian Bream | | |
| 4 | 4 | El Maestro, Fantasía XXII | Julian Bream | | |
| 5 | 5 | El Maestro, Fantasía VIII | Julian Bream | | |
| 6 | 6 | El Maestro, Fantasía IX | Julian Bream | | |
| 7 | 7 | El Maestro, Tento I | Julian Bream | | |
| 8 | 8 | El Maestro, Pavana IV | Julian Bream | | |
| 9 | 9 | El Maestro, Fantasía XVI | Julian Bream | | |
| 10 | 10 | Los seys libros del Delphin de música, Book I: Fantasía V | Julian Bream | | |
| 11 | 11 | Los seys libros del Delphin de música, Book II: Fantasía V | Julian Bream | | |
| 12 | 12 | Los seys libros del Delphin de música, Book III: La canción del Emperador | Julian Bream | | |
| 13 | 13 | Los seys libros del Delphin de música, Book II: Fantasía VI | Julian Bream | | |
| 14 | 14 | Los seys libros del Delphin de música, Book V: Arde coracon, arde | Julian Bream | | |
| 15 | 15 | Los seys libros del Delphin de música, Book V: Ya se asiente el rey Ramiro | Julian Bream | | |
| 16 | 16 | Los seys libros del Delphin de música, Book IV: O glorioso domina (seys diferencias) | Julian Bream | | |
| 17 | 17 | Los seys libros del Delphin de música, Book VI: Corde claros | Julian Bream | | |
| 18 | 18 | Los seys libros del Delphin de música, Book VI: Guárdame las vacas | Julian Bream | | |
| 19 | 19 | Los seys libros del Delphin de música, Book VI: Tres diferencias por otra parte | Julian Bream | | |
| 20 | 20 | Los seys libros del Delphin de música, Book VI: Baxa de contrapunto | Julian Bream | | |
| Media 31: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Fantasia No. 7 op. 30, Introduction. Lentemente | Julian Bream | | 84.4453 |
| 2 | 2 | Fantasia No. 7 op. 30, Theme. Allegretto | Julian Bream | | 104.5801 |
| 3 | 3 | Fantasia No. 7 op. 30, Variations I-V | Julian Bream | | 99.7148 |
| 4 | 4 | Fantasia No. 3 op. 7, Largo non tanto | Julian Bream | | 147.0425 |
| 5 | 5 | Fantasia No. 3 op. 7, Theme. Andante | Julian Bream | | 90.4749 |
| 6 | 6 | Fantasia No. 3 op. 7, Variations I-VII | Julian Bream | | 144.368 |
| 7 | 7 | Introduction & Variations on a Theme by Mozart op. 9, Introduction. Andante largo | Julian Bream | | 178.2057 |
| 8 | 8 | Introduction & Variations on a Theme by Mozart op. 9, Theme. Andante moderato | Julian Bream | | 99.6117 |
| 9 | 9 | Introduction & Variations on a Theme by Mozart op. 9, Variations I-V | Julian Bream | | 152.1161 |
| 10 | 10 | 4 Rondos brillants op. 2, No. 1: Adagio | Julian Bream | | |
| 11 | 11 | 4 Rondos brillants op. 2, No. 2: Polonaise | Julian Bream | | |
| 12 | 12 | 4 Rondos brillants op. 2, No. 23: Andante - Rondo. Allegro moderato | Julian Bream | | 151.6607 |
| Media 32: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Dedicatoria op. 1/1 (Cuentos de la juventud) | Julian Bream | | |
| 2 | 2 | La Maja de Goya (12 Tonadillas en estilo antiguo) | Julian Bream | | |
| 3 | 3 | Villanesca (12 Danzas espanolas) | Julian Bream | | |
| 4 | 4 | 7 Valses poéticos | Julian Bream | | |
| 5 | 5 | Andaluza (12 Danzas espanolas) | Julian Bream | | |
| 6 | 6 | Mallorca op. 202 | Julian Bream | | |
| 7 | 7 | Suite espanola No. 1 op. 47, II Cataluna (Curranda) | Julian Bream | | |
| 8 | 8 | Suite espanola No. 1 op. 47, I Granada (Serenata) | Julian Bream | | 99.4689 |
| 9 | 9 | Suite espanola No. 1 op. 47, III Sevilla (Sevillanas) | Julian Bream | | 111.196 |
| 10 | 10 | Suite espanola No. 1 op. 47, IV Cádiz (Seguidillas) | Julian Bream | | 103.1137 |
| 11 | 11 | Córdoba op. 232/4 (Cantos de Espana) | Julian Bream | | |
| Media 33: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concierto de Aranjuez, I Allegro con spirito | Joaquín Rodrigo | | |
| 2 | 2 | Concierto de Aranjuez, II Adagio | Joaquín Rodrigo | | |
| 3 | 3 | Concierto de Aranjuez, III Allegro gentile | Joaquín Rodrigo | | |
| 4 | 4 | 3 piezas espanolas, No. 1: Fandango | Julian Bream | | |
| 5 | 5 | 3 piezas espanolas, No. 2: Passacaglia | Julian Bream | | |
| 6 | 6 | 3 piezas espanolas, No. 3: Zapateado | Julian Bream | | |
| 7 | 7 | Invocación y danza (Homenaje a Manuel de Falla) | Julian Bream | | |
| Media 34: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | 5 Impromtus, No. 1: Recitativo | Julian Bream | | |
| 2 | 2 | 5 Impromtus, No. 2: Agitato | Julian Bream | | |
| 3 | 3 | 5 Impromtus, No. 3: Elegiaco | Julian Bream | | |
| 4 | 4 | 5 Impromtus, No. 4: Con fuoco | Julian Bream | | |
| 5 | 5 | 5 Impromtus, No. 5: Arioso | Julian Bream | | |
| 6 | 6 | 5 Bagatelles for Guitar, No. 1: Allegro | Julian Bream | | |
| 7 | 7 | 5 Bagatelles for Guitar, No. 2: Lento | Julian Bream | | |
| 8 | 8 | 5 Bagatelles for Guitar, No. 3: Alla cubana | Julian Bream | | |
| 9 | 9 | 5 Bagatelles for Guitar, No. 4: Sempre espressivo | Julian Bream | | |
| 10 | 10 | 5 Bagatelles for Guitar, No. 5: Con slancio | Julian Bream | | |
| 11 | 11 | Hill Runes | Julian Bream | | |
| 12 | 12 | A Sonata in Shakespearean Characters, I Gloucester (majestically) | Julian Bream | | |
| 13 | 13 | A Sonata in Shakespearean Characters, II Romeo and Juliet (singing slowly, with tenderness) | Julian Bream | | |
| 14 | 14 | A Sonata in Shakespearean Characters, III Ariel (swiftly, gently, mysteriously) | Julian Bream | | |
| 15 | 15 | A Sonata in Shakespearean Characters, IV Ophelia (slowly) | Julian Bream | | |
| 16 | 16 | A Sonata in Shakespearean Characters, V Touchstone, Audrey and William (with humour) | Julian Bream | | |
| 17 | 17 | A Sonata in Shakespearean Characters, VI Oberon (majestically) | Julian Bream | | |
| Media 35: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Fandanguillo op. 36 | Julian Bream | | |
| 2 | 2 | Sevillana op. 29 | Julian Bream | | |
| 3 | 3 | Suite compostelana, I Preludio | Julian Bream | | |
| 4 | 4 | Suite compostelana, II Coral | Julian Bream | | |
| 5 | 5 | Suite compostelana, III Cuna | Julian Bream | | |
| 6 | 6 | Suite compostelana, IV Recitativo | Julian Bream | | |
| 7 | 7 | Suite compostelana, V Canción | Julian Bream | | |
| 8 | 8 | Suite compostelana, VI Muneira | Julian Bream | | |
| 9 | 9 | Sonatina in A major, I Allegretto | Julian Bream | | |
| 10 | 10 | Sonatina in A major, II Andante | Julian Bream | | |
| 11 | 11 | Sonatina in A major, III Allegro | Julian Bream | | |
| 12 | 12 | Fantasia | Julian Bream | | |
| 13 | 13 | Homenaje (Tombeau de Claude Debussy) | Manuel de Falla | | |
| 14 | 14 | Danza del molinero (El sombrero de tres picos) | Julian Bream | | |
| 15 | 15 | Tiento | Julian Bream | | |
| Media 36: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Fantasía XIV | Julian Bream | | |
| 2 | 2 | Fantasía VVII | Julian Bream | | |
| 3 | 3 | La canción del Emperador | Julian Bream | | |
| 4 | 4 | Conde claros | Julian Bream | | |
| 5 | 5 | Fantasía X | Julian Bream | | |
| 6 | 6 | Galliardas | Julian Bream | | |
| 7 | 7 | Passacalles | Julian Bream | | |
| 8 | 8 | Canarios | Julian Bream | | |
| 9 | 9 | Villano | Julian Bream | | |
| 10 | 10 | Canario | Julian Bream | | |
| 11 | 11 | Prelude y Allegro | Julian Bream | | |
| 12 | 12 | Fandango | Luigi Boccherini | | |
| 13 | 13 | Grand Solo op. 14, Introduction. Andante - Allegro | Fernando Sor | | |
| 14 | 14 | Rondo brilland op. 2/3, Andante - Rondo. Allegro moderato | Dionisio Aguado | | |
| 15 | 15 | Introduction & Variations on a Theme by Mozart op. 9, Introduction. Andante largo | Fernando Sor | | |
| 16 | 16 | Introduction & Variations on a Theme by Mozart op. 9, Theme. Andante moderato | Fernando Sor | | |
| 17 | 17 | Introduction & Variations on a Theme by Mozart op. 9, Variations I-V | Fernando Sor | | |
| Media 37: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Guitar and Orchestra No. 3 "Concierto elegiaco", I Tranquillo | Leo Brouwer | | |
| 2 | 2 | Concerto for Guitar and Orchestra No. 3 "Concierto elegiaco", II Interlude | Leo Brouwer | | |
| 3 | 3 | Concerto for Guitar and Orchestra No. 3 "Concierto elegiaco", III Finale. Toccata | Leo Brouwer | | |
| 4 | 4 | Fantasía para un gentilhombre, I Villano y | Joaquín Rodrigo | | |
| 5 | 5 | Fantasía para un gentilhombre, Ricercare | Joaquín Rodrigo | | |
| 6 | 6 | Fantasía para un gentilhombre, II Espanoleta y | Joaquín Rodrigo | | |
| 7 | 7 | Fantasía para un gentilhombre, Fanfare de la Caballería de Nápoles | Joaquín Rodrigo | | |
| 8 | 8 | Fantasía para un gentilhombre, III Danza de las hachas | Joaquín Rodrigo | | |
| 9 | 9 | Fantasía para un gentilhombre, IV Canario | Joaquín Rodrigo | | |
| Media 38: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Joyne Hands | Thomas Morley | | |
| 2 | 2 | Phillips Pavin | Peter Phillips | | |
| 3 | 3 | The Frog Galliard | John Dowland | | |
| 4 | 4 | The Jew's Dance | Richard Nicholson | | |
| 5 | 5 | Fantasy | William Byrd | | |
| 6 | 6 | The Bacheler's Delight | Richard Allison | | |
| 7 | 7 | The Sacred End Pavin and Galliard, Pavin | Thomas Morley | | |
| 8 | 8 | The Sacred End Pavin and Galliard, Galliard | Thomas Morley | | |
| 9 | 9 | De la Tromba Pavin | Richard Allison | | |
| 10 | 10 | Thyrsis and Milla | Thomas Morley | | |
| 11 | 11 | Alison's Knell | Richard Allison | | |
| 12 | 12 | Grimstock | [anonymous] | | |
| 13 | 13 | Go From My Window | Richard Allison | | |
| 14 | 14 | Goe Nightly Cares | John Dowland | | |
| 15 | 15 | Daniel's Almain | Daniel Bacheler | | |
| 16 | 16 | In Nomine Pavin | Nicholas Strogers | | |
| 17 | 17 | Come Again | Jacob van Eyck | | |
| 18 | 18 | Lachrimae Pavin | John Dowland | | |
| 19 | 19 | Can She Excuse My Wrongs | John Dowland | | |
| Media 39: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | My Lady Hunsdon's Puffe | John Dowland | | |
| 2 | 2 | If music and sweet poetry agree (The Passionate Pilgrim) | William Shakespeare | | |
| 3 | 3 | The King of Denmark's Galliard | John Dowland | | |
| 4 | 4 | Envoi to The Phoenix and the Turtle | William Shakespeare | | |
| 5 | 5 | Mignarda | John Dowland | | |
| 6 | 6 | The Courser and the Genet (Venus and Adonis) | William Shakespeare | | |
| 7 | 7 | Queen Elizabeth's Galliard | John Dowland | | |
| 8 | 8 | Loth to Depart | John Dowland | | |
| 9 | 9 | She looks upon his lips (Venus and Adonis - death of Adonis) | William Shakespeare | | |
| 10 | 10 | The Earl of Derby's Galliard | John Dowland | | |
| 11 | 11 | Orpheus with his lute (King Henry VIII, Act III, Scene 1) | William Shakespeare | | |
| 12 | 12 | Lachrimae Pavin | John Dowland | | |
| 13 | 13 | Weary with toil (Sonnet No. 27) | William Shakespeare | | |
| 14 | 14 | Is it thy will? (Sonnet No. 61) | William Shakespeare | | |
| 15 | 15 | O, never say that I was false of heart (Sonnet No. 109) | William Shakespeare | | |
| 16 | 16 | Tarleton's Resurrection | John Dowland | | |
| 17 | 17 | My mother had a maid call'd Barbara (Othello, Act IV, Scene 3) | William Shakespeare | | |
| 18 | 18 | Tarleton's Resurrection | John Dowland | | |
| 19 | 19 | Come away, come away, death (Twelfth Night, Act II, Scene 4) | William Shakespeare | | |
| 20 | 20 | A Fancy | John Dowland | | |
| 21 | 21 | The loves I have (Sonnet No. 114) | William Shakespeare | | |
| 22 | 22 | The expense of spirit (Sonnet No. 129) | William Shakespeare | | |
| 23 | 23 | Melancholy Galliard | John Dowland | | |
| 24 | 24 | But she hath lost a dearer thing than life (The Rape of Lucrece) | William Shakespeare | | |
| 25 | 25 | Ev'n in this thought (The Rape of Lucrece) | William Shakespeare | | |
| 26 | 26 | Semper Dowland, semper dolems | John Dowland | | |
| 27 | 27 | What potions have I drunk (Sonnet No. 119) | William Shakespeare | | |
| 28 | 28 | When to the sessions (Sonnet No. 30) | William Shakespeare | | |
| 29 | 29 | Orlando Sleepeth | John Dowland | | |
| 30 | 30 | Fear no more (Cymbeline, Act IV, Scene 2) | William Shakespeare | | |
| Media 40: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Mazurka in G major | Julian Bream | | |
| 2 | 2 | Etude in A major | Julian Bream | | |
| 3 | 3 | Marieta! Mazurka in A minor | Julian Bream | | |
| 4 | 4 | Capricho árabe | Julian Bream | | |
| 5 | 5 | Prelude in A minor | Julian Bream | | |
| 6 | 6 | Recuerdos de la Alhambra | Julian Bream | | |
| 7 | 7 | Serenata | Julian Bream | | |
| 8 | 8 | Tango espanol | Julian Bream | | 100.081 |
| 9 | 9 | Guajira | Julian Bream | | 154.672 |
| 10 | 10 | Canciones populares catalanas, La nit de Nadal | Julian Bream | | |
| 11 | 11 | Canciones populares catalanas, Lo rossinyol | Julian Bream | | |
| 12 | 12 | Canciones populares catalanas, El mestre | Julian Bream | | |
| 13 | 13 | Canciones populares catalanas, La filadora | Julian Bream | | |
| 14 | 14 | Canciones populares catalanas, El testament d'Amelia | Julian Bream | | 93.9445 |
| 15 | 15 | Canciones populares catalanas, Canco del lladre | Julian Bream | | |
| 16 | 16 | Canciones populares catalanas, Plany | Julian Bream | | |
| 17 | 17 | Canciones populares catalanas, El Noi de la Mare | Julian Bream | | |
| 18 | 18 | Canciones populares catalanas, L'heureu Riera | Julian Bream | | |
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